Tony’s Chocolonely
There’s Fight In Every Bite
360° Fully Integrated Campaign
Tony's Chocolonely has spent 20 years fighting exploitation in the chocolate industry.
To bring that fight to life, we built an entire campaign around wrestling.
What started with us making Tony's first-ever TV ad due to winning the Sky Zero Footprint fund and unlocking £500k of free media…
quickly evolved into a kickass, multi-channel campaign which took ending exploitation in cocoa, off-screen and into the real world.
TVC - Film
"There's Fight in Every Bite" started as a pitch (and a hopeful one at that).
We entered Tony's into the 2025 Sky Zero Footprint Fund, an initiative supporting challenger brands using their platform for good and the team at
House of Oddities only went and helped Tony’s win the bloody thing. That meant we got to then turn the brand’s first-ever global TV ad into a reality.
Mary Sue Masson took our script and brought out the best comedy performances from our cast.
The 30s spot sees two women on the sofa, tucking into some Tony’s until a pair of 80s-style lycra-clad wrestlers crash the scene.
We ran an open letter print ad across regional and national press to target new audiences. It featured the Daily Mirror, Daily Star, Daily Express, Manchester Evening News, Liverpool Echo, Birmingham Mail, and The Chronicle. This extended reach and allowed the brand to connect to consumers past the screen.
Social
I led the social edits built to amplify the TV ad and create anticipation ahead of the live stunt (keep reading for more of that).
Bloopers gave Tony’s followers a chance to go behind-the-scenes, a teaser drummed up excitement
ahead of the live event and some relatable 6-second skits kept the campaign feeling fun and fresh.
Live Experiential
Next stop: taking the ad off screen and onto the streets of London.
We took over King's Cross Station with a mahoosive 16-foot wrestling ring, stealing the crowds queuing for platform 9 and ¾.
This wrestling ring spectacle stopped commuters dead in their tracks and kept them there thanks to many a free sample.
The concept for the event was simple. Tony’s and X-ploitation had already fought it out on TV. But could Tony win again in real life? There was only one way to find out. Casting the same wrestlers from the TV ad, ‘The Final Snackdown’ became an activation that consisted of four live wrestling fights spread across the day. One in the am, two at lunch, and one at home time. With a witty compere on the mic narrating the whole day (poor man needed many a lozenge) and a badass playlist, we created the kind of atmosphere that made missing your train or ‘boring-unnecessary-meeting-that-could-have-been-an-email’ worth it.
Ringside, there was plenty more to get stuck into. There were photo ops with the wrestlers, interactive games, and samplings of limited-edition bars. As we predicted, they vanished pretty much as fast as they appeared. The whole thing had an energy that no digital campaign could replicate: real people, in a real place, genuinely entertained and engaged. It was not only a privilege to oversee the creative from day dot but to participate in the running of the event.
Sizzle Reel
Two things I definitely enjoy making from scratch as a creative. Silly posters and fun lil social films.
Press Coverage
The stunt landed strong national and local press coverage, including a feature in the Daily Star. The combination of a newsworthy idea (wrestling in one of the UK's busiest stations ) and a clear consumer message: ‘Eating Tony’s Chocolonely can help fight exploitation in the cocoa industry’ gave journalists a story worth telling.
Results
The goal was to reach new audiences, build momentum, and inspire more people to
choose chocolate that supports fairer pay across the supply chain. We did just that.
-Achieved 48.5M total reach, supporting overarching brand awareness objectives
-Secured 70+ pieces of coverage across national, regional, trade and social
-Tier 1 national coverage including The Times (12.1M reach)
-Delivered a fully integrated campaign across TV, press, experiential, and social
-14% year-on-year sales increase
It was a bodyslamming win for everyone, demonstrating best practice in creative-led
earned media storytelling designed for amplification, not just attendance or views.
Credits (2026)
Agency: House of Oddities
Director: Mary Sue Masson
Experiential Production: Catalyst 83
Film Production: Common People Studio
Talent: Reece “Tommy” Tanner, Ben Pumpfrey, Tom Campbell, Marta Kowalska
Creative Leads: Lucy Pennock, Megan Revell
Creative Director/Producer: Sarah Gerona
PR Director: Julia Devonshire
Client / Project Manager: Laura Bailey
Designer: Rachel Lewis / Daniela Gerachi
Production Co-ordinator: Jordan Edwards
CCO: Darren Smith
CEO: Sachini Imbuldeniya
Executive Producer: Juan Leon